We're All Infected: Essays on AMC's the Walking Dead and the Fate of the…
The thirteen essays in this collection discuss
virtually every aspect of AMC’s television series The Walking Dead from the implications of its sanction of total
violence in the war on zombies to the nature of zombie consciousness and how it
affects our assumptions about what it means to be human. In short, this is not
light reading for the typical horror fan who was raised on Famous Monsters of Film Land. These are college or graduate level
articles for use in literature or film classes. (But just think of what it
means to have zombie courses in universities!)
The editor’s introduction traces the development of
the zombie film genre from the early voodoo zombie movies to Night of the Living Dead and then
through the significant viral innovations in movies like 28 Days Later and I AM Legend
leading up to the revolutionary concept of universal infection introduced in The Walking Dead. An infected humanity
sharing the same ultimate fate as those Others (the “inhuman” zombies) is a
recurring theme throughout the book and raises a number of ethical and
ontological questions the authors are able and willing to explore in depth.
Part I: “Society’s End” deals with the social,
psychological, and moral dilemmas the characters in the series face as
survivors in a post-apocalyptic, post-civilized world--especially the issue of
the escalating, dehumanizing violence against zombies and other humans.
Part II: “Posthumanity” presents the difficult,
shape-shifting concept of posthumanism,
which is defined differently in various contexts. One important meaning of the
term is explained in this section’s salient essay, “Nothing But the Meat:
Posthuman Bodies and the Dying Undead.” The author’s elaborate argument,
simplified, is this: Mind is not separate from matter; the zombie’s greatly
impaired consciousness will cease when its brain dies; our human consciousness
(and mind) will cease when our brain dies; hence there is no essential
difference between the human and the zombie. We are “nothing but the meat.”
(Cheery thought, isn’t it?) The application of this theory as seen in The Walking Dead with its ubiquitous
zombie virus is that the uniqueness and nobility of being human are proven
illusory as the series progresses. (But don’t let that stop you from
watching—as if it could.)
I believe these essays serve their intended purpose
well. But to those who aren’t literature or philosophy majors and just want
their zombies to be gruesome fun rather than metaphors, I would say skip this
one. Turn on Netflix and watch the series itself again.